Every Rose Has Its Thorns: Vilifying female ambition in The Rose of Versailles [Anifem]

The Rose of Versailles is a shojo classic with a reputation as an LGBTQ+ work, mostly thanks to Oscar’s character and their relationships with women like Marie Antoinette and Rosalie. While that’s one of the show’s main draws and much can be said about it, this time I’m looking into a less-discussed side of the show: its portrayal of female anger, ambition and power, and how they exist within considerable limitations. Continue reading “Every Rose Has Its Thorns: Vilifying female ambition in The Rose of Versailles [Anifem]”