March comes in like a lion is not always an easy show to watch. I’ve lost count of all the times it’s brought me to tears. The protagonist, Rei Kiriyama, is probably the most relatable and moving representation of anxiety and depression I’ve ever seen. He’s the one thing that brought me to this show, but he’s not the only reason I stayed.
While it might seem like March centers on shogi, the game itself isn’t quite as a relevant as what it means to the players. Shogi works as a centerpiece that brings all these people—with their different life experiences—together, but what really sticks out is what the game does to its players. Continue reading “On Your Side: Support networks in March comes in like a lion [Anifem]”
In my years consuming media, I’ve encountered certain beliefs and behaviours that never fail to frustrate me. One of them is women’s entertainment and their creators being diminished or regarded with contempt just for targeting women. There is a double standard at play: media targeted at or starring women is “for girls,” while media targeted at or starring men is “for everyone” (unless, of course, someone who isn’t a man is critical of it; then it wasn’t “for them”). Continue reading “Demolishing the Demographic Double Standard: Why more manga “for boys” need to treat their girls better [AniFem]”
My Hero Academia is one of my favorite series in recent years. Thanks to its compelling, lovable cast and exciting world-building, it’s some of the most fun I’ve ever had with shounen and superheroes. Regrettably, though, it’s not entirely free of some of the most frustrating (and typical) shounen stereotypes that frequently undermine its strong female cast.
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Last year, Yuri!!! On Ice took the anime community by storm. Whether it was from the passionate portrayal of figure skating, the queer romance, or the sincere way it cared for its characters, it resonated with many. I’m no exception.
For a little context: I always felt a lot of interest in the LGBT community, even when I was too young to know it by name or understand its implications. I never got too deep into it, but Xena and Gabrielle’s relationship from Xena: Warrior Princess caught my attention in ways others didn’t when I was a little girl. Years later, I researched the history of homosexuality to defend it on a school panel, where I found, among many other things, tales such as the one about Pan Zhang and Wang Zhongxian.
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When I read Ranma ½ during my first year of high school, I fell in love with Rumiko Takahashi’s signature expressive art. I loved her colorful cast just as much, always getting caught up in over-the-top situations. Like many people, I remember it fondly. Yet the older I get, the harder it is to ignore some of the most problematic aspects of the series, especially how it deals with femininity.
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