My interest in things like beauty and fashion trends and shojo manga have overlapped multiple times. This has made me notice certain things, but before starting, I want to make some clarifications.
First of all, I’m not by any means an expert. Not everything I’ll cover is exclusive to shojo and its influencers either. I simply want to focus on a couple of particular works and artists that happened to be featured in shojo magazines because, well… That’s what interests me! Consider this as a kind of laid back post by a fan.
Continue reading “Art style & fashion in shojo manga: a brief look”
When I have to describe the nature of Ash and Eiji’s relationship in just a couple of words, what usually comes to mind is “platonic romance.” It might sound like a silly contradiction, but stay with me.
In some ways, Ash and Eiji are unlike anything I’ve seen. In others, they remind of romantic tropes I’ve seen in my years watching and reading (hetero) romances.
Banana Fish is a notable queer shojo classic, however, in some ways–not unlike other queer works–its male leads can be both be a product and fall victims of the time in which they were conceived. For this reason, things like the main character’s sexualities can be a delicate and complicated discussion. Still, Ash and Eiji’s relationship remains remarkably touching… and notably romantic. Continue reading “More than Friends, More than Lovers: Exploring Ash and Eiji’s Love”
When there’s color, Banana Fish is filled with black and yellow. It dominates all covers of the series and most of its variations, it’s on guidebooks and merchandises, and now, it’s everywhere on the promo materials of the upcoming anime TV adaptation.
Like a warning sign, the meaning behind those colors alone tells us plenty about Banana Fish’s world: poisonous, dangerous and obsessive.
Continue reading “Exploring Banana Fish’s Violent, Bizarre World”