Gender Inequity in My Hero Academia [AniFem]

My Hero Academia is one of my favorite series in recent years. Thanks to its compelling, lovable cast and exciting world-building, it’s some of the most fun I’ve ever had with shounen and superheroes. Regrettably, though, it’s not entirely free of some of the most frustrating (and typical) shounen stereotypes that frequently undermine its strong … Continue reading Gender Inequity in My Hero Academia [AniFem]

Exploring Banana Fish’s Violent, Bizarre World

When there’s color, Banana Fish is filled with black and yellow. It dominates all covers of the series and most of its variations, it’s on guidebooks and merchandises, and now, it’s everywhere on the promo materials of the upcoming anime TV adaptation.

Like a warning sign, the meaning behind those colors alone tells us plenty about Banana Fish’s world: poisonous, dangerous and obsessive.

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Review: Even So, I Will Love You Tenderly

Ryo Onoda is a straight guy and he is three years younger than Harumi Deguchi. They have nothing in common and at first, they were just friends. But that’s not enough for Harumi- he wants more from Ryo and he realizes that he has fallen in love with him. Feeling anxious and emotional, he wants to tell him how he feels… but he can’t. Fearing rejection, he’d rather be just friends and not ruin what he has with him. Here- we have a story of pain, sorrow and happiness of being in love.

Even So, I Will Love You Tenderly is the side story featuring the couple Onoda x Deguchi from “No Touching At All.”

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Sun, Moon & Stars: Cardcaptor Sakura Retrospective

I remember Cardcaptor Sakura from the days when Cartoon Network (my then favorite channel) aired most of the big shonen and shojo hits of the era. Although I liked it (Sakura was the sole reason I owned a couple of roller skates), for some reason, I didn’t remember much of the show itself growing up. I suspect it might have been because it aired while I had school, which would, of course, mean that I never watched it much, but I’m not really sure. However, I’ve always wanted to go back to it, and the winter season bringing us a sequel was the push I needed it to finally do so.

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5 favorite visual gags from Ranma 1/2

Ever since I wrote about the troubling ways Ranma 1/2 deals with femininity, I was left thinking about the things I do like about Rumiko Takahashi’s works. One of them it’s the ways she expresses humor through her art. There are visual gags and quirks that are present in practically all her works–which might not be unique to them, but are still used so effectively. Ranma 1/2 it’s basically made of them; it helps give the story that “anything goes” nonsense vibe.

That’s why I think it’s fitting to focus on this work to highlight said gags. Although there are plenty of them that I enjoy, some certainly amused me more than others. Here are my favorites:

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