This post contains heavy spoilers for the first episode of the show.
From the start of the first episode, we can see that something is wrong. We see three little kids facing us from behind of the bars that keeps them caged, wondering what’s in the outside world. “I wonder what this gate is protecting us from,” asks Norman, grabbing the bars with his little hands. It’s in that same place where they get an answer a few years later, igniting the desire to escape inside of them. Continue reading “Time, Innocence & Illusions in The Promised Neverland”
Here it is, a post no one asked for but I wrote anyway because it was quick, easy, and this is how I have fun! (I already had this documented!)
Banana Fish does interesting things with lighting–like providing Ash shadows to hide when he wants to, framing Eiji as the light in Ash’s life or some Cain Blood’s scenes with lighting (and tones) that pays attention to black skin.
Some things are more subtle than others. One of them is the use of rainbows, which vary in size, shape, and intensity depending on the scene. The one constant is that it only ever appears during Ash and Eiji scenes. Continue reading “Finding the rainbow–or every Ash & Eiji scene with gay ass lighting”
Few series have made me feel as much and as strongly as Banana Fish–a work that’s full of things I love dearly, just as it has things that I either dislike or downright hate. It can be described as an action thriller, a crime drama, a story of cultural connections, abandoned children and new-found families, and many things more. At its heart, there’s a love story. Continue reading “Banana Fish: the negotiations of a show, a love story & things that hurt”
Not talking about the direction Banana Fish‘s going right now is honestly just self-care. Ash and Eiji never fail to bring me joy though, so!… Let’s talk about love instead.
Whenever Eiji tells Ash that he wants to be with him, there’s a constant: Ash’s shock. It’s there as a close-up when Eiji tells Ash he’ll “stay by his side” (if he doesn’t mind) or that he’ll “go crazy if he loses him too” (after what happened with Shorter). It’s also there in Ash’s shielded eyes and the way he pauses when Eiji asks him to come back safely, and that “he’ll wait forever” for him. Continue reading “Eiji’s the sun: staying by his side”
March comes in like a lion is not always an easy show to watch. I’ve lost count of all the times it’s brought me to tears. The protagonist, Rei Kiriyama, is probably the most relatable and moving representation of anxiety and depression I’ve ever seen. He’s the one thing that brought me to this show, but he’s not the only reason I stayed.
While it might seem like March centers on shogi, the game itself isn’t quite as a relevant as what it means to the players. Shogi works as a centerpiece that brings all these people—with their different life experiences—together, but what really sticks out is what the game does to its players. Continue reading “On Your Side: Support networks in March comes in like a lion [Anifem]”
Audrey Hepburn is mostly remembered as a Golden Era Hollywood legend and a fashion icon. Her star image embodies enduring beauty, grace, and kindness–both on and off the screen. She survived World War II, which later influenced her to become a humanitarian. As a pre-teen ballerina, she helped the resistance in the Nazi-occupied Netherlands, and her harsh childhood motivated her to dedicate her later years to children as a goodwill ambassador for UNICEF. (Fun fact: Hepburn is an EGOT, and her Grammy was for Best Spoken Word Album for Children.)
Among her most well-known films are My Fair Lady, Breakfast at Tifanny’s–arguably celebrated for the fashion icon Hepburn’s character made her rather than for the film itself–and her Hollywood debut, Roman Holiday.
Continue reading “An Unforgettable Holiday: A look at Japan’s love for Audrey Hepburn”
Perhaps the best way to start this is by saying that it all began forty-two years ago. It was 1976 when mangaka Suzue Miuchi started serializing what would become her life’s work: Glass Mask. This classic shojo bestseller survived a defunct magazine and inspired countless adaptations, including two tv anime series, a tv drama, and a three-episode OVA. The manga it’s still running to this day. Continue reading “Passion & Talent in Glass Mask”
I usually start these posts mentioning the novel the episode’s title reference with the possible connection it could have with the episode in question. However, Ash already explained that better than I ever could. In fact, most of the episode is very straightforward with a special focus on action–showing two gangs briefly side with Ash for the first time and culminating in the death of one of the main antagonists–so this post will be shorter than usual.
Hemingway’s “The Snows of Kilimanjaro” (1936) is one of the most prominent literary references in the original material. I’ve been including the publishing dates of all the novels the show has referenced thus far because I suspect the staff might have picked them with this (among other things) in mind. After all, most episodes reference either Hemingway or Fitzgerald. As contemporaries, both have quite a history of friendship and rivalry, but I digress. Continue reading “Banana Fish #13: The Snows of Kilimanjaro”