I usually start these posts mentioning the novel the episode’s title reference with the possible connection it could have with the episode in question. However, Ash already explained that better than I ever could. In fact, most of the episode is very straightforward with a special focus on action–showing two gangs briefly side with Ash for the first time and culminating in the death of one of the main antagonists–so this post will be shorter than usual.
Hemingway’s “The Snows of Kilimanjaro” (1936) is one of the most prominent literary references in the original material. I’ve been including the publishing dates of all the novels the show has referenced thus far because I suspect the staff might have picked them with this (among other things) in mind. After all, most episodes reference either Hemingway or Fitzgerald. As contemporaries, both have quite a history of friendship and rivalry, but I digress.
Ash & Arthur: The end of a villain
For the past twelve weeks, I’ve been unable to shut up about the way this show uses color, and boy the color palettes–especially the greens and blues–in this episode are gorgeous.
The animation gets rough in some parts, but what really makes the action work for me are its two main focuses: Ash is Freakin Terminator and emotion. The original material actually has characters comparing Ash to figures like Rambo and Terminator, so I’m pleased to see these vibes coming through again here.
When I say Terminator, I don’t mean cool robot body horror (stop boing). I’m talking about the attitude, of course. We have Terminator mode during most of the train fight, with an Ash that calmly and coldly walks towards their panicked targets. He doesn’t even flinch when he takes a damn bullet to the shoulder!
This is without even mentioning the fact that he fights alone in a train full of people trying to kill him. At some point, he contemplates the possibility that he might not make it, but the strain only really shows when he fights Arthur.
In the train, the decadent green that has been established as the color of Ash’s world dominates. The colors chosen for the graffiti are an extra nice touch.
We have emotion during the confrontation between Ash and Arthur, with emphasis on the tension and specific blows. Here, purple dominates the sky, already telling us that someone was going to die even before the fight started.
The adaptation explains how Arthur got his scar, but the “real” reason he hates Ash so much remains ambiguous. It’s not hard to fill in the blanks though. As Arthur mentions the things he has done to “get rid” of Ash, we see nothing but the straight lines of the tracks of the train, which emphasize an uncomplicated, straightforward mind.
Arthur has always been blunt and, in his own way, honest. He desired power, and Ash is a natural born leader who earns the respect of those follow him. It’s easy to see Arthur hating Ash, who has “the gift” and the competency to reach the places Arthur wanted to reach, even when Ash doesn’t even want it. The scar on his useless fingers wasn’t just a scar; it was a constant reminder of all the ways in which Ash was “superior.”
During Arthur’s last moments, we see his hand desperately trying to grab Ash. As he starts to fall, his hand reach out for the sky–most likely a symbol of his ambition. A few seconds later, he’s gone.
Ash wins, but it’s not a fight he really wanted to have in the first place, and he takes no pride in his victory. On the contrary, his eyes immediately find Eiji’s, and his painful outburst reveals that, when facing the person he cares about the most, he’s ashamed of the violence he was part of.
Ash & Eiji: two worlds
Ash and Eiji coming from different worlds it’s a running theme here. In this episode, Eiji questions this, hurt after learning about Ash’s order to send him back to Japan.
When Eiji wonders if Ash really believes that “coming from different words” means that they should “part ways,” we get the answer when we immediately cut to an Ash reclining against a graffiti that reads “forever.” The word is written in blue, and it has a half blue-half red heart, just like the heart that appears at the ED to symbolize Ash and Eiji’s connection. (If you’re new here, red and blue are prominent colors in Ash and Eiji’s color palettes respectively.)
For anime-only readers, there’s a scene in episode 11 when Ash asks Eiji to stay with him. “It doesn’t have to be forever, just for now” Ash says, and Eiji answers “Forever” with a smile. In the original material, that’s it, he doesn’t actually (verbally) answer in the episode. Rather than omitting the word, I suspect the scene is still incomplete, just like the leopard scene (getting back to this in a sec). The timing and the place where that word appears doesn’t only answer Eiji’s question, it also tells me that the meaning behind it hasn’t been forgotten, so I’m expecting this to come back at any moment.
To explain what I mean with the leopard scene, I have to mention that originally, we got the whole thing when Eiji went to the library to apologize to Ash. Here, we get the leopard story only when Ash remembers it, feeling his death is near. It’s a nice modification, because it strongly implies that Eiji’s words are what harden Ash’s resolve to keep fighting.
In episode 12, we got a green-blue combo with Ash and Eiji wearing each other’s colors (I’m totally counting that denim jacket) and blue in the atmosphere while Eiji wore green. This week, we get those colors dominating their scenes and “coming from different worlds” is mentioned again; Ash fights for his life in decadent greens, Eiji is safe in blue. Eiji also literally runs to Ash’s violent world while blue is present. Colors are good.
Sound effects are also good! An extremely worried Eiji can’t help but scream for Ash as soon as he sees him, and we hear the same sparkles the show used in episode 10, when Ash was looking for Eiji in the mansion to rescue him. In both cases, the sparkles sound when Ash hears Eiji from an impossible distance. I joke about Ash having an “Eiji Sense,” but this is actually a way to highlight how connected Ash is to Eiji.
Something that I also find note-worthy: the same window is used with both boys when they’re feeling unwell (to say the least). We see Eiji’s reflection against the city when he’s hurt. We see Ash’s back as he stands in front of the window when he wakes up, shaken after a nightmare. In both instances, as both boys feelings are disturbed, they are portrayed as being lost against the city. In Ash’s case, the framing isolates him from his surroundings.
The second cour starts next week. I’ve been enjoying this adaptation a lot–I mean, I’m in pain most of the time, but you get the idea. However, if I’m frank, my biggest concerns all come with the second half. I’m also absolutely unprepared for even more goddamn pain. This is not a good combination, folks. On a more positive note, some of my favorite things in the series are also in the second half! So let’s all be strong. Or not. Alas, keep this hopeless blogger in your thoughts. Or not.
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