5 favorite visual gags from Ranma 1/2

Ever since I wrote about the troubling ways Ranma 1/2 deals with femininity, I was left thinking about the things I do like about Rumiko Takahashi’s works. One of them it’s the ways she express humor through her art. There are visual gags and quirks that can be found in practically all her works, but Ranma 1/2 it’s made of them, basically, which helps give the story that “anything goes” nonsense vibe.

That’s why I think it’s fitting to focus on this work to highlight said gags. Although there are plenty of them that I enjoy, some certainly amused me more than others. Here are my favorites:

Hand gestures

I can’t even explain why I like this one so much, I just do. Characters usually do this when they’re really shocked, receive unexpected hits, are sent flying or are just generally surprised. In Ranma 1/2, that’s basically all the time.

High kick

When someone get’s out of line, they often end up being kicked into oblivion. But what it’s “getting out of line” exactly? Well, by this series standards, it’s usually getting into the attacker’s nerves. Or existing, if they happen to have a grudge against you. Or being Kuno. Just being Kuno it’s more than enough to guarantee a couple of kicks.

Up and away

This one isn’t always a consequence of a high kick, so it deserves its own mention. There are many ways to send someone flying: with a powerful punch, a good push or using a ridiculously big script like a baseball bat. This gag basically says “alright, enough, get the hell out of my sight” but I’m sure you already guessed that.

Whac-A-Mole

In a Takahashi comedy, nothing says “how dare you” or “put yourself together” more than a good whack on the head. Like many classic cartoons, this is also used to knock people out.

Random microphone

It’s just another bizarre moment in Ranma 1/2 until someone decides they need more drama. It doesn’t matter where or how, a microphone will always appear for those who need it. Characters use microphones to make scandalous accusations, tell tragic backstories, add intense commentary to a fight, scream about the power of love, etc, etc. There’s also a microphone for every occasion: you’ll never see the same one twice.

Honorable mentions

Jumping surprised/scared pose

Getting the hell away from trouble

Background characters being the reader’s self-insert

Goddamn Happosai, the perverted master, getting stomped


If you liked this post, please consider leaving me tip!

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s