Morimoto, a young professional woman in Japan, is tired of fending off her parents’ questions about her being single. They want her to marry a man and settle down, and they’ll insist on nitpicking her choice of groom to death. In an unexpected move, another woman in the office—who has a crush on her—offers to be her wife in a sham marriage, which might make her parents back off. But this “fake” marriage could unearth something very real!
The first thing we see in given is a dark room, with barely a little ray of light entering through an unseen window. A quiet, somber boy picks up a guitar, pats his dog–whose happiness and enthusiasm contrasts both his mood and the atmosphere–and leaves his apartment, keeping his sad gaze down. Continue reading “given: A heart can be a beautiful retro Gibson guitar”
When I watch an anime adaptation, if I compare it to the manga, I often do it because I’m either trying to figure out the thought process behind adaptational choices, or evaluating how different mediums (and creatives) approach the same story. Discussions that begin and end with a simple “this is different from the manga (which makes it bad)” doesn’t really interest me, nor do I believe they are productive in any way. Continue reading “Netflix’s 7 seeds: there was An Attempt”
The Rose of Versailles is a shojo classic with a reputation as an LGBTQ+ work, mostly thanks to Oscar’s character and their relationships with women like Marie Antoinette and Rosalie. While that’s one of the show’s main draws and much can be said about it, this time I’m looking into a less-discussed side of the show: its portrayal of female anger, ambition and power, and how they exist within considerable limitations. Continue reading “Every Rose Has Its Thorns: Vilifying female ambition in The Rose of Versailles [Anifem]”
I can’t remember why exactly I suddenly wanted to revisit the first couple of Disney princesses’ movies, but here we are! There’s clearly much that can be said about these movies, but in this particular post, I want to focus on one of the things that picked my attention the most: how beauty is presented. Continue reading “Beauty in Disney’s Classic Princesses (& The Little Mermaid)”
A few weeks ago I talked about art related trends in shojo manga. When I mentioned how the same character can go from somewhat bulky to slender and refined as an example, I actually had Ash in mind. Much can be said about Banana Fish being a perfect example of capturing a mangaka’s style evolution as much as its decade trends, and how that’s reflected in the considerable changes in the main character’s design. Continue reading “Eiji: cuteness & innocence through design”
This post contains heavy spoilers for the first episode of the show.
From the start of the first episode, we can see that something is wrong. We see three little kids facing us from behind of the bars that keeps them caged, wondering what’s in the outside world. “I wonder what this gate is protecting us from,” asks Norman, grabbing the bars with his little hands. It’s in that same place where they get an answer a few years later, igniting the desire to escape inside of them. Continue reading “Time, Innocence & Illusions in The Promised Neverland”
Here it is, a post no one asked for but I wrote anyway because it was quick, easy, and this is how I have fun! (I already had this documented!)
Banana Fish does interesting things with lighting–like providing Ash shadows to hide when he wants to, framing Eiji as the light in Ash’s life or some Cain Blood’s scenes with lighting (and tones) that pays attention to black skin. Continue reading “Finding the rainbow–or every Ash & Eiji scene with gay ass lighting”